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Amazon Price: $9.50
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Format :
Color, Letterboxed, Widescreen, NTSC,
Label:World Artists
Languages:
English,
Manufacturer: World Artists







Editor Reviews:


Description:
Wes is an aggressive, obsessive, egocentric entrepreneur who's determined to put his corner of Utah on the map no matter what the cost -- to himself, his friends, or his family.

Amazon.com:
Director Jon Jost may have made a few enemies with the local homebuilder's association and the Mormon Church in this devastating 1993 psychological drama, but then again, hardly anyone has seen it. "Just a one-day drive" from the urban sprawl centers of California, the quiet and beautiful Utah landscape in and around Circleville becomes the gleam in the eye of a struggling real-estate developer (Tom Blair). A middle-aged entrepreneur, with the talent of a certain cheery, common-sense sales-pitch, is, at this late stage in the game, only barely able to contain his raw and mean temper with friends and family. Despite tensions with his wife and friends, he nonetheless forges ahead toward his version of the American Dream. Themes of economic growth versus environmental decay (both in the geographical and community sense) have been visited by filmmakers before, but Jost links his narrative with the locale in a complex, original way: with awesome economy, he pares what we see of human conflicts down to the bone while generously allotting much of his 85 minutes to the rural landscape. A lonely road and a long line of ecstatic poetry appear on screen, but this ain't no hymn to Walt Whitman or Manifest Destiny. No other filmmaker has explored more deeply the dark side of the American entrepreneur. The unforgettable final scene--a weekend hunting expedition in which his son Philip learns the mechanics of a rifle as well as the male code of what "not to tell mom"--is both astonishing and horrifying. Jost dedicated the film to his father. --Christopher Chase

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Customer Reviews: Average Rating:

Rating : - Fine, disturbing study of cultural decay
This is a an excellent low-budget film about a controlling, possibly psychotic Utah businessman and his eventual meltdown and the way it affects his already tenuous relationship with his family.
Interesting in the way it portrays middle America as a place of extreme spiritual and emotional corrosion. Blair is very, very creepy in the lead.

Similar in many ways to Michael Haneke's films in that the focus is extremely narrow and the director's primary statement seems to be about cultural decay.

This is definitely not a film one would watch to be "entertained". But it is quite powerful.

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